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Les pédales Spaceman Effects sont la meilleure illustration de l’adjectif « boutique ». Ici, toutes les pédales sont en séries limitées, fabriquées avec des composants (très) haut de gamme, et possèdent des finitions exemplaires. Le son est plus qu’à la hauteur du reste, faisant de Spaceman une marque unique et rare que nous sommes fier de vous proposer.
Avec plus de huit modèles de Big Muff différents, considérés par beaucoup (dont nous) comme les meilleures recréations de ce circuit légendaire, on imagine bien la passion de la marque pour les pédales de Fuzz. D’autres circuits mythiques (Fuzz Face, Tonebender) ou 100% originaux sont aussi proposés par les californiens de Wren and Cuff.
Le succès et la notoriété grandissante des amplis de Tim Marcus, alias Milkman, n’a rien d’un hasard. Inspirés de circuits classiques, les amplis Milkman possèdent leur propre caractère et bénéficient d’une fabrication sans compromis. Allant de 5W à 85W, il y a un Milkman pour toutes les situations.
Bien souvent les guitares axés « gros son » ont un look kitch et/ou caricatural ainsi qu’un son aseptisé. Dunable Guitars casse tous les codes avec des guitares sublimes pour un son chaud et précis. Légères et très agréables à jouer, les guitares Dunable sont capable d’aller du Stoner le plus lourd au Metal le plus extrême en passant par tous les styles aux sonorités puissantes.
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[description] => [:fr]Strymon Zuma R300
Une énorme puissance et flexibilité dans un boîtier qui s'adapte sur absolument n'importe quel pedalboard du marché. Voilà ce que vous offre la Strymon Zuma R300. Après plus de 2 ans de développement, Strymon annonce au NAMM Show 2016 la disponibilité de la Zuma, puis en fin d'année 2017, la version R300, un format compact d'à peine 18 cm et 390 grammes. L'alimentation la plus flexible, légère et puissante du marché, parmi celles que vous pouvez installer même sur un board de type Nano.
La Zuma R300 fournit un courant parfaitement filtré, épuré, régulé et stable. Ceci par le bias de 5 sorties 9V totalement isolées qui délivrent 500mA pour chacune d'entre elles. Soit un total de 2,5A. On pourra également obtenir du 12 et 18V sur une d'entre elles. De quoi alimenter quasiment n'importe quelle pédale disponible. Les sorties sont opto-isolées, le signal est traité et nettoyé grâce à un procédé en plusieurs étapes afin d'obtenir l'alimentation la plus stable possible. Une alimentation de qualité, ce n'est pas seulement une réduction du bruit au sein de votre chaine d'effets, c'est également un meilleur son et une meilleure dynamique de manière constante.
Avec la Strymon Zuma R300 vous avez une alimentation de toute petit format capable d'alimenter un pedalboard entier, sans rayonnement, sans bruit et sans chauffe. Cerise sur le gâteau, elle fonctionne en 110-240V, vous pourrez donc l'utiliser partout dans le monde. 5 sorties ne vous suffisent pas? Aucun problème, vous pouvez chainer jusqu'à 3 Zuma en série pour un total de 15 sorties avec un seul bloc d'alimentation. De quoi alimenter les pedalboards les plus massifs avec un comfort unique.
La Strymon Zuma R300 allie puissance et légèreté. Ses dimensions réduites, son "low profile" et son extrême modularité (possibilité de chainage) rendent la Zuma unique en son genre. Indispensable pour tous les guitaristes sérieux et amoureux des effets.
Spécifications:
- Dimensions: 7.25″ x 3.5″ x 1.18″ (184mm x 88mm x 30mm)
- Poids: 0.9 lbs. (390g)
- 5 sorties 9V "high-current" totalement isolées
- 1 de ces sorties offrent du 9V (500mA), 12V (375mA), ou 18V (250mA)
- 500mA par sortie pour alimenter quasiment n'importe quelle pédale
- 5 câbles DC inclus (5.5mm x 2.1mm barrel connectors, center negative, droits/coudés)
- Câble d'alimentation IEC fourni
- 24V Thru jack permettant de connecter plusieurs OJAI entre elles
- 5 transformateurs custom individuels (1 par canal) permettent de délivrer le courant le plus stable possible
- Compatible avec le monde entier 110-240V
- Boîtier en aluminium anodisé ultra compact et léger
- Peut être fixé sous virtuellement sous / sur n'importe quel pedalboard
- Conçu et fabriqué aux USA[:en]Strymon Zuma R300
High Horsepower, Low Profile.
Zuma R300 is the highest horsepower, most technologically advanced low profile effects pedal power supply. You get clean, rock-steady power for your 9V, 12V and 18V effects pedals in a pedalboard friendly, expandable package, giving you room to grow. Zuma R300’s ultra-low profile design means that it can fit under just about any pedalboard.
Dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.
Ins & Outs
- 5 high-current, fully isolated outputs with center-negative polarity
- 4 dedicated 9V outputs (500mA)
- 1 adjustable output offers 9V (500mA), 12V (375mA), or 18V (250mA) DC options
- 500mA per 9V output powers nearly any pedal
- Delivers a maximum of 36W
- 5 pedal cables included (5.5mm x 2.1mm barrel connectors, right angle to right angle, 18″ length)
- IEC cable included
- 24V Thru jack allows connection to Strymon Ojai or Ojai R30 (sold separately)
- Zuma R300 Dimensions: 7.25″ x 3.5″ x 1.18″ (184mm x 88mm x 30mm)
- Zuma R300 Weight 0.9 lbs. (400g)
[:]
[short_description] => [:fr]Une énorme puissance et flexibilité dans un boîtier qui s'adapte sur absolument n'importe quel pedalboard du marché. Voilà ce que vous offre la Strymon Zuma R300. Après plus de 2 ans de développement, Strymon annonce au NAMM Show 2016 la disponibilité de la Zuma, puis en fin d'année 2017, la version R300, un format compact d'à peine 18 cm et 390 grammes[:en]Zuma R300 is the highest horsepower, most technologically advanced low profile effects pedal power supply. You get clean, rock-steady power for your 9V, 12V and 18V effects pedals in a pedalboard friendly, expandable package, giving you room to grow. Zuma R300’s ultra-low profile design means that it can fit under just about any pedalboard[:]
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[description] => Alexander Pedals Defender
As captain of the Defender, your mission is to protect the galaxy using the awesome power of the Stargate Drive. Blast off from your deep space base and take control of the universe.
We’re sold out of the first batch for direct orders, but many of our dealers have stock. Click the link below to score your own Defender!
Why should you use a digital distortion pedal?
No idea. Analog is better, right? You should probably go buy a Tube Screamer. But if you're interested in expanding your horizons, read on.
One of the things we love about making pedals is that we get to come up with things that are new and exciting. The prospect of doing another "me too" overdrive pedal wasn't really that appealing. We decided that the best way to approach a digital distortion pedal was to think of all of the things you couldn't do with analog and proceed from there. We love this pedal, and we hope you like it too.
Neo Series:
The sonic scientists at Alexander Pedals have been working overtime to cram the most pedal into the smallest box, and we now present the Neo Series! Each Neo Series pedal incorporates an advanced 32-bit microcontroller adding presets, expression, and MIDI capability.
The Neo Series pedals are small but mighty! Imagine having a single pedal on your board that can access up to 4 separate preset tones with a touch of your toe. Connect an expression pedal to "morph" between two distinct settings for each preset for dynamic real-time effects. Or connect the Neo Footswitch to enable your choice of preset select, tap tempo, or start / stop the sequence in real time.
Presets:
All Neo Series pedals feature a simple yet powerful preset functionality. Hold the bypass footswitch to move the pedal to the next available preset, and the pedal will reconfigure itself on the fly. All knob values and the effect mode settings are recalled, allowing you to set up to four unique tones. Want more presets? Simply connect a MIDI controller to the EXP port on the side of the Neo Series pedal and access up to 16 presets total.
To load a preset, hold the bypass footswitch down or send a MIDI program change from 0-15.
To save a preset, hold the Select button down and then hold the bypass footswitch. The pedal will save the current settings to the current preset.
Any changes you make to the pedal settings will be lost when switching to a new preset unless you save the current preset first, so be careful!
Expression and MIDI:
The EXP port on the left side of the pedal can function as an expression pedal, foot switch input, or a MIDI input.
Expression Pedal: Set the expression pedal to the heel down position, then adjust the knobs to your preferred setting. Sweep the pedal to the toe position and set the knobs to a different setting. The Colour Theory allows the user to sweep the Rate, Steps, Mix, and Lag controls with the expression pedal or ramp footswitch.
Foot Switch: The Neo Footswitch (sold separately) allows for preset select or WARP - all with LED indication. The Defender will also work with a standard tap tempo footswitch.
MIDI: The Neo Series pedals can connect to a compatible MIDI controller to control all of the pedal functions plus access 12 extra presets, for a total of 16. The USB port may also be used as a MIDI interface to your computer or mobile device.
Controls:
Press and hold the center button while turning the knobs to activate the alternate controls.
LEVEL - Adjusts the overall output level of the Defender. The pedal has quite a bit of volume on tap, enough to overdrive your amp.
DRIVE - Controls the amount of drive, saturation, and distortion of the effect.
(WARP) - Adjusts the speed of the WARP control. With this control at minimum the Defender will warp between the red and blue settings instantly. With the control at maximum the pedal will take approximately 10 seconds to warp.
LIGHT - Controls the treble or brightness of the distortion effect or the cutoff frequency of the filter if FLT is selected.
(BLEND) - Mixes the clean signal (fully counter-clockwise) with the distorted signal (fully clockwise.) This is a really crucial control for using the Defender with bass or low-tuned guitars, allowing you to dial in some clean signal to increase the articulation.
MATTER - Controls the bass or depth of the distorted tone or the resonance / feedback of the filter if FLT is selected.
(TWEAK) - Adjusts the special effect for each distortion mode. Varies for each effect, check out the descriptions below!
Select Button - tap to choose a new effect mode or hold to engage the ALT controls:
The upper LED shows the distortion effect selection.
OD - Overdrive with a clear midrange character. This mode ranges from transparent to gritty with a sweep of the Drive knob. Try this mode with the Blend control near noon for a great soft-clipping boost.
DST - Distortion with a darker, smoother tone. Gets hairy really quickly and loves to party.
FZ - Splattery, sizzly fuzz tone. Don't even bother trying to get this one to clean up, sounds kind of like a toy robot being fed into a garbage disposal.
Once you've selected your distortion, you can choose from one of three special effects. Any distortion effect may be combined with any special effect. Please note that the special effects only work on the distorted sound, and not on the clean blend signal.
PIT - Polyphonic octave shifting, applied to the distortion signal only. The Tweak control adjusts the blend between octave down, distortion, and octave up. This effect is killer for sub-octave riffing or screaming fuzz freakouts.
SPC - Space modulation using a short time delay on the distortion signal. Tweak controls the delay time from zero to a short slap-back. Try using the Warp function to sweep the delay time for manual flanger sounds.
FLT - Super-tweakable resonant lowpass filter, ideal for synth or wah textures. Light controls the cutoff frequency, Matter controls the resonance or sharpness of the filter. Tweak mixes between the filtered sound and the unfiltered sound.
Want to get a distortion effect without the special effects? Just select the distortion sound you like (OD, DST, FZ) and select PIT as your special effect. Hold the Select button and turn the MATTER / TWEAK knob to its midpoint. The pitch effect will be bypassed and you'll just have dirt.
WARP Switch:
Tap this footswitch to accelerate the Defender into warp drive! While Warp is active, the Defender will move to a second unique setting of your choice. Just turn the pedal knobs while Warp is active to set the Warp tone. Tap the footswitch again to return to the regular sound. ALL knob settings may be changed as part of the Warp mode, but the distortion and effect selections must stay the same.
The Warp speed may be adjusted by holding the Select button and turning the Drive knob. Low settings of Warp will cause the pedal to move into and out of Warp mode instantly, while higher settings will accelerate into and out of Warp mode more gradually.
You can also hold the Warp footswitch to activate Impulse mode, which will enter and exit Warp mode only as long as you hold the footswitch down. Try using Warp to set two different distorted sounds for rhythm and lead, or using the Impulse function to add some filtering or space delay to the climax of a solo! The possibilities are endless, and if you engage it while flying backwards around the sun you may end up saving some whales...
Bypass Switching:
The Defender features a buffered bypass using a soft-touch footswitch. The dry signal path is digital to maintain the phase relationship between distortion and clean. The bypass signal is 100% analog.
Configuration:
To configure, power on while holding the center Select button and release when the program LEDs start to flash.
Tap the Select button to choose Expression (upper LED blue,) Foot Switch (upper LED violet,) or MIDI (upper LED red.)
Turn the Rate knob to select the function for the Neo Footswitch - Counterclockwise for sequence start / restart, center for preset select, clockwise for tap tempo.
Turn the Matter / Tweak knob to set the main LED brightness.
If you wish to assign the Defender MIDI channel, simply send a program change message from your controller on the correct channel while the pedal is in configuration mode. Hold the Select button to save the pedal settings.
The Defender MIDI port requires the use of either a MIDI converter box such as the Disaster Area / Chase Bliss MIDIBox or a MIDI controller that supports 1/4" devices such as the Disaster Area Gen3 series. The Defender defaults to using MIDI Channel 1.
HOLD THE SELECT BUTTON TO SAVE CONFIGURATION
Power Supply:
The Defender requires a 9V DC power supply with a 2.1mm pin, center negative, 80mA. The Defender is not designed to be powered on supplies higher than 9V and does not use a battery. The Defender should work fine on a multi-pedal "daisy chain" connector, but if you encounter excessive noise or hum try a separate power supply.
[short_description] => As captain of the Defender, your mission is to protect the galaxy using the awesome power of the Stargate Drive. Blast off from your deep space base and take control of the universe.
We’re sold out of the first batch for direct orders, but many of our dealers have stock. Click the link below to score your own Defender!
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[description] => [:fr]Keeley Electronics Bubble Tron
Robert Keeley’s reign continues to spoil us guitarists, and his latest creation is the BubbleTron—a not-so-subtle nod to the Maestro Filter/Sample Hold. The original box is crazy rare and not many working guitarists have access to one. The BubbleTron adds so many extras, however, that those same working guitarists may never need to play one.
The BubbleTron is centered on three main modes: Filter, Phase and Flange. The Flange and Phase mode are dynamic, so they are reactive to the strength of the input signal, aka picking strength.
Filter mode is that classic sample-and-hold sound that isn’t available in many pedals. In this mode, Sens controls resonance, and the Depth control becomes a wave shape knob for some dramatic filtering sounds.
Phase mode sounds like the child of a phaser and an auto wah, allowing players to set the input sensitivity. At low settings, players will really need to punch the strings to get any phasing, and at the other end, the slightest movement will set the phaser off.
Flange mode works on the same principles as the Phase mode, by offering a dynamic approach to the classic tape-based effect. Sens again changes the input sensitivity, but Rate instead changes the feedback of the flange, with both positive and the mysterious negative feedback available.
The Phase effect works even more differently than a regular phase by utilizing two phasers in parallel with opposite sweeps. Phaser 1’s rate can be set manually, but the depth is controlled by dynamics. Phaser 2’s rate AND depth are controlled by the same dynamics for a truly innovative phaser sound that must be heard to be believed.
Keeley BubbleTron Dynamic Flanger Phaser features:
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[description] => Wren and Cuff Two Five Drive
25V? Why?
Muscle! Thats why. 25V opens things up considerably, creating an unusually wide dynamic range, more headroom, and more output. You’ll really feel it when you dig into the strings. The response is super reactive, and the overall feel of the pedal is much different than a typical overdrive. It just feels powerful.
EQ:
The EQ section of the pedal is set up a bit differently than many other pedals. The controls are basically like a vintage Fender™ amp (although the pedal in no way sounds like a Fender). One thing this means is that the controls are interactive in relation to one another. An example would be that turning down the treble will not only cut the higher frequencies, but also raise the lower frequencies a bit. This type of interaction opens up an almost endless palette of tones by adjusting the Lows, Mids, and Highs, as opposed to a simple high pass, low pass, setup. One of the things that makes the Two Five unique.
Voice Switch:
The voice switch allows you to configure the clipping section of the pedal in two different ways
Voice switch toggled down, there are two Mosfet transistors used as diodes, and a germanium diode as well used to create a super rich, saturated gain (sorta Marshall™ like). Flick the switch up, and two LED’s are used for the clipping. These LED’s have a much wider range of dynamics and lend to a more open, somewhat cleaner sound Sorta Fender™ like). The Two Five gain will be more crunchy, cutting, and less saturated than the other setting.
Don’t worry if “Mosfet”, LED, and “germanium”, don’t mean anything to you, I just like to give lots of details if you are the type that cares about that stuff.
Op-Amp:
After many hours of testing, A/B’ing, and comparing, we finally settled upon a JRC3404. A distant relative of the famous JRC4558 some covet for their use in vintage Tube Screamer™ pedals, this op-amp is tough enough to put up with 25V, but still has a warm enough tone to keep things nice a sweet.
*Note:
We originally were going to use a LM358 Jfet op-amp for the Two Five. We jumped the gun a bit and did a couple press releases mentioning the LM358. This caused some confusion, so you may find some descriptions online incorrectly referring to the LM358. We apologize for this confusion. Please know there are no units that have the LM358, all ended up with the JRC3404.
Output:
There is a TON of output on tap. A lot. Be careful with this! You can peg the front end of your amp incredibly hard which is great for pushing it into a natural overdrive.
If you really want to dig deep on this before you purchase, download the manual to learn even more.
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[description] => Dwarfcraft Devices Ghost Fax
We are calling Ghost Fax a phase computer for a reason. Though traditionally an analog effect, it wouldn’t be a Dwarfcraft phaser if we didn’t add some new capabilities, along with the traditional features.
The pedal has four modes of operation: Standard, Manual, Envelope Up, and Envelope Down.
The Poles knob allows users to select the number of all-pass filters used in the phase effect. The pedal has up to 32 poles, which means that audibly, there are sixteen different spots on the dial to visit. When the Ghost Hax is set for high feedback, switching pole settings also generates a unique, percussive sound reminiscent of a complex modular synth patch.
A Feedback control allows users to tune in the “ringing” artifacts produced by the phaser, allowing for subtle phase shifting sounds to full on electronic sound generation.
The Action knob controls the Speed, Phase, or Depth, depending on what mode you are in.
Ghost Fax also includes a Pause footswitch, giving users the ability to pause the motion of the phaser at any time.
The best part, though, is the secret settings. If you hold down both the Pause and Bypass switches, you unlock an additional bank of controls, depending on what mode you are in.
Power Requirements= 75mA
Enclosure Size = 4.7" x 3.7" x 2.2"
[short_description] => We are calling Ghost Fax a phase computer for a reason. Though traditionally an analog effect, it wouldn’t be a Dwarfcraft phaser if we didn’t add some new capabilities, along with the traditional features.
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[description] => [:fr]Peterson Strombo Clip HD
Le StroboClip HD a la même précision d'accordage à un centième de cent que tous les accordeurs stroboscopiques Peterson. Cet accordeur versatile et complet a un écran haute-définition et brillant, 50 accordages Sweetened, des tempéraments alternatifs pour une grande variété d'instruments à cordes et à vent, une mâchoire en caoutchouc pour protéger la finition de votre instrument tout en offrant une bonne accroche pour un suivi de signal optimal.[:en]Peterson Strombo Clip HD
The Peterson StroboClip HD has the same tenth-of-a-cent accuracy as all Peterson Strobe Tuners. This versatile tuner comes complete with a bright high-definition screen, over 50 Sweetened tunings, alternate temperaments for a vast array of string and wind instruments, and soft rubber-lined jaws to protect your instrument's finish while offering a firm grip for maximum signal tracking.
Features
True strobe 0.1 cent accuracy
High-definition backlit display
Wide viewing angle
Visible in direct sunlight
Sleek, stealthy design
Adjustable Hz calibration
Drop tuning and capo settings
Over 50 sweetened tunings[:]
[short_description] => [:fr]Le StroboClip HD a la même précision d'accordage à un centième de cent que tous les accordeurs stroboscopiques Peterson.[:]
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[description] => Hungry Robot Pedals El Castillo
El Castillo is an arpeggiating reverb that takes pitch-bent reverb to an entirely new level.
It uses a unique combination of 3 circuit blocks (reverb, pitch-shift, and delay) to create a highly experimental, ambient reverb.
REVERB – The reverb block is the heart of the pedal. It uses the same high quality reverb brick found in my other reverb pedals. It has two controls: “Level” and “Regen.” The “Level” control increases the amount of wet signal, without effecting the dry signal. The “Regen” control controls the amount of signal fed through the feedback loop. Turing up the “Regen” knob will increase the decay and also the number or arpeggiations.
PITCH-SHIFT – The pitch-shift block is located in the feedback loop of the reverb. Adding a pitch-shift to the feedback signal creates a “stair step” effect. Each time the signal travels through the feedback loop, it will shift the pitch of the wet signal up or down. The pitch shifting section is controlled by the “Quantize” mode switch and the “Pitch Knob” (small, middle knob). More info below about the mode switch.
DELAY – The delay block is also located inside the feedback loop. It is a simple, single repeat delay that can range from 0-800ms. This feature causes the signal to delay going through the pitch-shift block. With the delay time set at minimum, the stair stepping effect happens very quickly. As you increase the delay time, the pitch intervals are stretched out and it creates a very gradual pitch arpeggiation. The delay length is determined by the “Stretch” knob.
MODES - El Castillo has 2 modes of operation: Un-Quantized and Quantized. The toggle switch selects the mode and determines the function of the “Pitch” knob.
---In the “Un-Quantized” mode (toggle to the left), the pitch knob has a free-range and can select any pitch interval between -1 octave and +1 octave. At 12 o’clock, there is zero pitch-shift.
---In the “Quantized” mode (toggle to the right), the pitch-shift is locked to -1 octave and +1 Octave. Turning the pitch knob crossfades between the two octave shifts to allow both to be heard at once or separately. Turning the knob fully to the left provides only octave down intervals. Turning the knob to the right provides only octave up intervals (traditional shimmer). At 12 o’clock, there is a 50/50 blend of octave up and octave down intervals.
Current Draw: 113 mA
Switching: True-Bypass
Dimensions: 4.7” x 3.7” x 1.96”
Powering: 9V DC - Negative Center - 2.1mm Barrel
[short_description] => [:fr]El Castillo is an arpeggiating reverb that takes pitch-bent reverb to an entirely new level.
It uses a unique combination of 3 circuit blocks (reverb, pitch-shift, and delay) to create a highly experimental, ambient reverb.[:en]El Castillo is an arpeggiating reverb that takes pitch-bent reverb to an entirely new level.
It uses a unique combination of 3 circuit blocks (reverb, pitch-shift, and delay) to create a highly experimental, ambient reverb.
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[name] => Gold Overdrive
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[description] => [:fr]PettyJohn Electronics Gold
The Pettyjohn GOLD is the seventh offering in their single pedal format, The Foundry Series. What started as a simple box inspired by classic “Golden amps from Britain” ended up as so much more then just an amp-in-a-box. The GOLD is incredibly touch sensitive, with the ability to clean up with pick attack or volume knob at any setting while covering a very wide gain range. The gain covers many of our favorite flavors, from classic low-gain edge of breakup “plexi” style tones through full on distortion with one knob, making it our most versatile drive pedal to date. To handle the wide range of gain we equipped the GOLD with our most powerful EQ, with three of our favorite analog filters for maximum tone shaping power. The EQ section includes our musical Passive Wide-Range Low Cut and High Cut equipped with a top-shelf Auri-cap for ultimate transparency while dialing in top-end and bass response. The GOLD also features a new parametric mid control! With this new “Mids” band, the guitarist can take full control of their tone with a healthy does of boost OR cut with a wide sweep-able range that covers from 400Hz to 2kHz, giving you the power to emulate your favorite British tone stack or correct the mid-range of your amp and perfect the tone you hear in your head. While developing the GOLD, we wanted to accomplish the feel of a high wattage amp and the combo of our dual rail, high voltage power section and boutique amp style tone caps help create a truly inspirational experience that blurs the line between pedals and high end amps.
Under the hood, the GOLD has 2 extra settings controls on Mini-pots. Easily accessible by removing the bottom 4 screws, these controls offer extra tweaking for those who really want to further customize their GOLD experience. One toggle controls the headroom of the gain amp. The GOLD ships set in the High Headroom position, for our most dynamic, touch sensitive drive experience but some guitarist may prefer the Low Headroom setting. The Low Headroom setting will add harmonics and an increased sense of breakup and gain with a slight tightening of the lows, this pushes the upper gain ranges well into classic distortion territory and great for those who want a very saturated tone. The other mini-toggle adds a vintage amp style Orange Drop capacitor into the High EQ circuit. This cap will give the top a slightly softer, warm “vintage” flavor that can work really nice to with bright amps or guitars. We couldn’t decide which one was our favorite so we included them both!
The GOLD is a low noise, edge-of-breakup to distortion with amp-like dynamics and feel featuring a versatile three band studio grade EQ enough tone shaping power to work well in any players rig. It represents a culmination of our obsession with studio grade electronics and over three years of tweaking with drive circuits and we are proud to offer what we feel is the new golden standard of our Foundry line!
DOWNLOAD THE GOLD USER MANUAL
Gold Features Gold Overdrive:
The Pettyjohn GOLD is the seventh offering in their single pedal format, The Foundry Series. What started as a simple box inspired by classic “Golden amps from Britain” ended up as so much more then just an amp-in-a-box. The GOLD is incredibly touch sensitive, with the ability to clean up with pick attack or volume knob at any setting while covering a very wide gain range. The gain covers many of our favorite flavors, from classic low-gain edge of breakup “plexi” style tones through full on distortion with one knob, making it our most versatile drive pedal to date. To handle the wide range of gain we equipped the GOLD with our most powerful EQ, with three of our favorite analog filters for maximum tone shaping power. The EQ section includes our musical Passive Wide-Range Low Cut and High Cut equipped with a top-shelf Auri-cap for ultimate transparency while dialing in top-end and bass response. The GOLD also features a new parametric mid control! With this new “Mids” band, the guitarist can take full control of their tone with a healthy does of boost OR cut with a wide sweep-able range that covers from 400Hz to 2kHz, giving you the power to emulate your favorite British tone stack or correct the mid-range of your amp and perfect the tone you hear in your head. While developing the GOLD, we wanted to accomplish the feel of a high wattage amp and the combo of our dual rail, high voltage power section and boutique amp style tone caps help create a truly inspirational experience that blurs the line between pedals and high end amps.
Under the hood, the GOLD has 2 extra settings controls on Mini-pots. Easily accessible by removing the bottom 4 screws, these controls offer extra tweaking for those who really want to further customize their GOLD experience. One toggle controls the headroom of the gain amp. The GOLD ships set in the High Headroom position, for our most dynamic, touch sensitive drive experience but some guitarist may prefer the Low Headroom setting. The Low Headroom setting will add harmonics and an increased sense of breakup and gain with a slight tightening of the lows, this pushes the upper gain ranges well into classic distortion territory and great for those who want a very saturated tone. The other mini-toggle adds a vintage amp style Orange Drop capacitor into the High EQ circuit. This cap will give the top a slightly softer, warm “vintage” flavor that can work really nice to with bright amps or guitars. We couldn’t decide which one was our favorite so we included them both! The GOLD is a low noise, edge-of-breakup to distortion with amp-like dynamics and feel featuring a versatile three band studio grade EQ enough tone shaping power to work well in any players rig. It represents a culmination of our obsession with studio grade electronics and over three years of tweaking with drive circuits and we are proud to offer what we feel is the new golden standard of our Foundry line! DOWNLOAD THE GOLD USER MANUAL
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