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Les pédales Spaceman Effects sont la meilleure illustration de l’adjectif « boutique ». Ici, toutes les pédales sont en séries limitées, fabriquées avec des composants (très) haut de gamme, et possèdent des finitions exemplaires. Le son est plus qu’à la hauteur du reste, faisant de Spaceman une marque unique et rare que nous sommes fier de vous proposer.
Avec plus de huit modèles de Big Muff différents, considérés par beaucoup (dont nous) comme les meilleures recréations de ce circuit légendaire, on imagine bien la passion de la marque pour les pédales de Fuzz. D’autres circuits mythiques (Fuzz Face, Tonebender) ou 100% originaux sont aussi proposés par les californiens de Wren and Cuff.
Le succès et la notoriété grandissante des amplis de Tim Marcus, alias Milkman, n’a rien d’un hasard. Inspirés de circuits classiques, les amplis Milkman possèdent leur propre caractère et bénéficient d’une fabrication sans compromis. Allant de 5W à 85W, il y a un Milkman pour toutes les situations.
Bien souvent les guitares axés « gros son » ont un look kitch et/ou caricatural ainsi qu’un son aseptisé. Dunable Guitars casse tous les codes avec des guitares sublimes pour un son chaud et précis. Légères et très agréables à jouer, les guitares Dunable sont capable d’aller du Stoner le plus lourd au Metal le plus extrême en passant par tous les styles aux sonorités puissantes.
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[description] => [:fr]Walrus Audio Slö Multi Texture Reverb
La Slö Multi Texture Reverb permet de créer des univers sonores aussi bien luxuriants, modulés, que des ambiances tranquilles. Ses trois algorithmes différents sont spécialement conçus pour invoquer des textures amenant les rêves de votre subconscient à la réalité. Le sélecteur permet de choisir parmi trois modes de réverbe : Dark (Octave Inférieure), Rise (Augmentation d’Ambiance) et Dream (Pad de Blocage), alors que les fonctions secondaires du sélecteur activent différentes formes d’ondes pour la modulation de la traine de réverbe. Combinez une modulation profonde avec une longue traine et vivez l’expérience Slö.
ALGORITHMES
Utilisez le sélecteur pour choisir l’un des trois algorithmes intégrés.
DARK – Ajoutez une octave inférieure à la traine de réverbe. C’est ici que vous allez créer des sons atmosphériques profonds et larges en canalisant des paysages sonores cauchemardesques. Le bouton X règle le niveau de l’octave -1 qui alimente la réverbe.
RISE – Il s’agit d’une réverbe à augmentation automatique pour de superbes enchaînements de plans cinématographiques. Prenez votre temps. Respirez et réveillez-vous doucement. Le bouton X ajuste le temps nécessaire pour que la réverbe augmente après que la note soit jouée. Un réglage bas offre une montée très rapide, un réglage haut une montée plus lente.
DREAM – Vous avez ici une réverbe luxuriante avec une fonction de blocage. Appuyez sur le bouton Sustain pour bloquer le signal. Expérimentez avec le bouton X pour ajouter un vibrato sur le pad. Appuyez à nouveau sur Sustain et le pad diminue en fonction du réglage du bouton Decay. Le bouton X détermine la profondeur du vibrato appliqué à la traine de réverbe.
La Slö dispose également de 3 formes d’ondes différentes accessibles en maintenant le Bypass enfoncé tout en utilisant le sélecteur d’algorithmes.
Formes d’Ondes Modulées :
• SINE – Modulation équilibrée en douceur des graves et aiguës
• WARP – Modulation asymétrique des aiguës comme sur un disque déformé.
• SINK – Modulation asymétrique des graves pour un effet désaccordé similaire au Bigsby.
FONCTIONS MOMENTANÉES
Bypass : Active ou désactive l’effet. Intègre également un “smart bypass switching”. Lorsque le commutateur est en position arrêt, appuyez et maintenez-le enfoncé pour activer temporairement l’effet, ceci afin d’ajouter par intermittence de la texture. Relâchez-le bouton pour désactiver l’effet et l’atténuer progressivement.
Sustain : Une fois le bouton maintenu en pression, le Decay augmente rapidement la traine de réverbe au maximum créant de longues et magnifiques traines puis revient rapidement au niveau de réglage initial une fois relâché. Avec l’algorithme “Dream”, le bouton de sustain est verrouillé. Appuyez une fois pour capturer et maintenir le réglage de Decay en cours pour des sons cotonneux extrêmement longs. Appuyez à nouveau pour laisser la traine de réverbe s’atténuer en fonction du réglage initial de Decay
MODE TRAINE
La Slö fonctionne en mode avec ou sans traine. En mode ‘traine’, lorsqu’on éteint la pédale, la réverbe s’atténue naturellement. En mode ‘sans traine’, la réverbération est brutalement interrompue dès qu’on éteint la pédale.
Pour passer d’un mode à l’autre, maintenez le bouton Bypass enfoncé pendant 1 seconde en mettant la pédale sous tension. Débranchez l’alimentation et répétez l’opération pour passer à l’autre mode.
SPÉCIFICATIONS
La Slö affiche une finition ‘Lollipop Blue’ faite d’un bleu léger et d’encre blanc cassé, avec un dessin original réalisé par Christi Du Toit.
La taille exacte du boîtier moulé sous pression est 4.77” x 2.6” x 1.39”. L’alimentation requise est de 9VDC (minimum 100mA).
L’utilisation d’une alimentation isolée est recommandée pour alimenter toutes les Pédales Walrus Audio. Les alimentations sur guirlandes (daisy chain) ne sont pas recommandées. Adaptateur secteur non fourni.[:en]Walrus Audio Slö Multi Texture Reverb
The Slö Multi Texture Reverb allows players to create lush, modulated, sleepy and ambient soundscapes. Stocked with three different algorithms specifically designed to invoke textures for bringing dreams from your subconscious to reality.
The toggle switch allows three different reverb modes, Dark (Lower Octave), Rise (Ambient Swell) and Dream (Latching Pad), while secondary functions on the switch change between different wave shapes for the modulation on the reverb trail.
Combine deep modulation with long washy trails and experience, the Slö.
ALGORITHMIS:
DARK – Add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb.
RISE – This is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time it takes the reverb to swell in after a note is played. Set lower for shorter rise times and higher for longer rise times.
DREAM – Here is a lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add vibrato over the pad. Press sustain again and pad will decrescendo according to where decay knob is set. X knob sets the depth of vibrato applied to the reverb trail.
The Slö also features 3 different wave shapes accessible by holding down bypass while switching the algorithm toggle.
SINE – Smooth and even pitch up and down modulation.
WARP – Asymmetric pitch up modulation similar to a warped record.
SINK – Asymmetric pitch down modulation for sinking detune similar to a Bigsby.
MOMENTARY FUNCTIONS:
Bypass: When the switch is in off position, press and hold to temporarily activate the effect to add a moment of reverb texture. Releasing the switch turns the effect off, and fades it out.
Sustain: When pressed, the decay switch ramps up the reverb trail to maximum creating long dreamy reverb trail and then ramps back down to the decay knob setting when released. In the “Dream” algorithm, the sustain switch is latching. Press it once to capture and sustain the current reverb decay for extremely long pad-like sounds. Press it again to let the reverb trail taper off, based on the position of the decay knob.
TRAILS MODE:
The Slö can run in trails or no trails mode. In trails mode, when you turn the pedal off, the reverb decay dies off naturally. In no trails mode, the decay is abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode.
[:]
[short_description] => [:fr]La Slö Multi Texture Reverb permet de créer des univers sonores aussi bien luxuriants, modulés, que des ambiances tranquilles.[:en]The Slö Multi Texture Reverb allows players to create lush, modulated, sleepy and ambient soundscapes. Stocked with three different algorithms specifically designed to invoke textures for bringing dreams from your subconscious to reality.[:]
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[description] => [:fr]Précommande, livraisons à partir du Mercredi 24 Avril
Empress Effects Zoia
The ZOIA is basically a modular synthesizer in pedal form. Instead of being a delay effect or tremolo, the ZOIA provides the modules necessary to build a delay or tremolo from the ground up. But since you're the one building it, you can make it do whatever you want. With the ZOIA you can build your own custom effects, synthesizers, midi controllers, and virtual pedal boards. And to make life a little easier, we've created modules for all your standard guitar effects. So for instance, if you want a phaser, you can just plop down a phaser. You don't have to break out the textbooks to learn that they're built out of all-pass filters. (Of course, if you're a nerd like us, you can use the ZOIA to build them out of all-pass filters).
FEATURES
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[description] => [:fr]Catalinbread Coriolis Effect
Coriolis Effect (la force de Coriolis) est un phénomène de mécanique classique indiquant qu'une trajectoire est déviée lorsque son milieu de référence est en rotation. La Catalinbread Coriolis Effect a 3 paramètres principaux permettant de changer les équations de mouvement pour votre signal de guitare. Réduisez les réglages Velocity et Acceleration pour attirer votre jeu au coeur du trou noir en transposant votre son plus bas et en filtrant les fréquences aiguës. Le réglage Hold vous tirera instantanément dans le trou noir en arrêtant complètement le temps.
Branchez-vous pour explorer là où l'humanité n'a jamais joué auparavant ! Voyez la Coriolis Effect comme un effet combiné de sustainer, wah, filtre, pitch shifter et harmoniseur dans une seule pédale où les possibilités sonores sont infinies !
Réglages
• Position: contrôle le dosage du signal d'origine et de l'effet (jusqu'à 100% wet ou 100% dry).
• Acceleration: filtre passe-bas.
• Velocity: ajuste la hauteur de note de l'effet.
• Hold: stoppe tout nouveau sample et boucle le sample actuel.
Autres fonctionnalités
• Entrée pour pédale d'expression.
• Sélecteur interne de bypass (True Bypass ou Buffered Bypass).
• Sélecteur interne de polarité de pédale d'expression.
• Réglage interne pour ajuster le niveau de gain.
• Fabriqué à la main à Portland, Oregon, USA.
Réglages
Position, velocity, acceleration, switch acc / exp / vel.[:en]Catalinbread Coriolis Effect
The Coriolis effect is an illusion produced by a rotating frame of reference that causes a moving object’s trajectory to appear altered — in short, it twists your perceptions. Catalinbread’s Coriolis Effect pedal does the same thing to your guitar signal. Turn down the Velocity and Acceleration controls, and you’ll experience a dramatic tone shift as your pitch dives to unimaginable lows and your high frequencies fade away. Stomp on the Hold footswitch and you’ll freeze time, creating outrageous sustain or stuttering cacophony. The Coriolis Effect pedal includes an expression pedal input for real-time control over its parameters and switchable buffered- or true-bypass operation. Catalinbread describes the Coriolis Effect as a sustainer, wah, filter, pitch shifter, and harmonizer rolled into one. An apt description — it’s chock-full of sonic possibilities.
Note: The Coriolis Effect pedal uses standard 9–18-volt DC power supply (not included) — it won’t work with a 9-volt battery.
Enough controls to make you dizzy (and create cool sounds)
The Coriolis Effect pedal includes three main parameters. The Position knob controls your dry/wet mix. Velocity adjusts the pitch of your wet signal from no pitch shift all the way down to 0Hz. Acceleration is a 2-pole lowpass filter that ranges from an all-pass filter (everything gets through) to a no-pass filter (nothing gets through). You also get a Hold footswitch that stops any new sampling and loops the current sample — the guitarists at Sweetwater have used this footswitch to sustain chords for upward of two minutes and to create killer stuttering effects. There’s also an expression pedal input that allows you to take real-time control over the Acceleration or Velocity parameter.
Crack it open for even more tweakability
If you pop off the Catalinbread Coriolis Effect pedal’s back plate, you’ll find two switches and a trimpot. The first switch selects between true-bypass and buffered-bypass operation (it’s set to true bypass by default). The second switch changes the expression pedal polarity from normal to reverse. And the trimpot enables you to adjust the pedal’s gain level.
Catalinbread Coriolis Effect Pedal Features:
- Effects pedal that twists your auditory perceptions in unique ways
- Position knob controls your dry/wet mix
- Velocity knob adjusts the pitch of your wet signal from no pitch shift all the way down to 0Hz
- Acceleration knob is a 2-pole lowpass filter that ranges from an all-pass to no-pass
- Hold footswitch stops any new sampling and loops the current sample
- Expression pedal input enables real-time control over the Acceleration or Velocity parameter
- Switchable true- or buffered-bypass operation
- Switchable normal or reverse expression pedal polarity
- Trimpot to adjust gain level
- Handbuilt in Portland, Oregon
[:]
[short_description] => [:fr]Coriolis Effect (la force de Coriolis) est un phénomène de mécanique classique indiquant qu'une trajectoire est déviée lorsque son milieu de référence est en rotation.[:en]The Coriolis effect is an illusion produced by a rotating frame of reference that causes a moving object’s trajectory to appear altered — in short, it twists your perceptions.[:]
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[description] => Disaster Area qConnect
The first controller designed specifically to interface with quarter-inch MIDI devices.
The qCONNECT is a compact controller with eight 1/4″ outputs, designed to control an entire pedalboard full of pedals by Chase Bliss Audio, Alexander, Empress, Meris, and Bondi. qCONNECT also supports standard 5-pin MIDI pedals, and can control one USB MIDI device (Red Panda, Zoom, etc.) using our gHOST Adaptor Cable.
Simply connect your MIDI devices to the qCONNECT ports, then use our comprehensive setup menu to configure the port assignments and device routing. All of the qCONNECT ports may send MIDI on the ring (Chase Bliss) or on the tip (most other brands) without using jumpers or DIP switches.
Setting up your devices is easy – we offer simple step-by-step guides for all of the currently supported devices.
You can even link multiple qCONNECTs together to control very large pedal setups, or use a qCONNECT to expand the capabilities of your current controller.
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[description] => [:fr]Alexander Pedals Radical Delay DX
We released the first Radical Delay pedal way back in 2015 as an homage to the tones and aesthetic of the 1980s. We were shooting for video games, neon nights, and maybe a hint of ALF.
It’s now 2019, and according to conventional wisdom we should be fighting with replicants in the streets and competing in futuristic running-based game shows.
Since that stuff hasn’t quite happened yet, we thought it might be time to update the Radical Delay to our Neo Series platform and give it a bit of a makeover at the same time.
Inside you’ll find the same great delay and special effects that made the earlier Radical Delay pedals so fun, plus a few new twists. Outside, we’ve added some teal and chrome, and intensified the laser grid for your enjoyment.
Radical Delay DX features six delay modes, all of which are adjustable to play from 24kHz down to 1.6kHz bandwidth using the CLOCK knob.
The maximum delay time varies by mode and clock rate, but it varies from 680ms to over 5000ms. Yep, that’s over 5 seconds of delay time, but it sounds terrible. It’s gross. Don’t say we didn’t warn you.
DELAY MODES:
MOD Digital delay with modulation. Tweak controls the mod depth and ALT controls the mod rate.
BEND Pitch shifted delay. Tweak selects the interval (-12, -7, -2, -1, detune, +1, +2, +3, +4, +5, +7, +12) and ALT puts the shift before or after the delay.
DUAL Dual-tap delay line. Tweak controls the delay time for the second tap and ALT controls its feedback.
REV YALED ESREVER. Tweak warps the delay from forward to reverse, with “tape stop” sounds available in between. ALT mixes between the main reverse delay and a forward delay. Just want reverse? Set Mix, ALT, and Tweak to maximum.
ARP Chiptune arpeggiator delay. Tweak controls the speed of the arpeggiation and ALT selects from 8 scale options.
DYNA Dynamic delay. The delay time sweeps with your picking attack. Tweak controls the sweep amount and direction, and ALT sets the volume sensitivity. Be careful with short delay times - that’s where the laser birds live.
PRESETS
Four built-in presets give you quadruple the tones in a single footprint. Add a MIDI controller for 16 presets.
NEO MORPH
Seamlessly morph between different knob settings on the fly using the Option footswitch, expression pedal, Neo Footswitch, or MIDI controller.
MULTIJACK
Connect an expression pedal, Neo Footswitch, or MIDI controller to this jack to add performance control to your pedal.
OPTION FOOTSWITCH
Tap the left footswitch for tap tempo. Hold the left footswitch for Tap Tempo Subdivision or Ramp Morph.
AUTO TRAILS
Set the pedal trails from 0-10 seconds. The pedal will automatically perform a smooth fade at your chosen time.
CLOCK KNOB
Adjusts the operating frequency of the DSP in real-time. Turn this up for pristine digital delay, down for glitched-out garbage.
MIDI CONTROL
Every knob and setting on the pedal is controllable using MIDI. Connect using the MultiJack and our Neo Link or directly to any Disaster Area Gen3 controller.
SELECT BUTTON
Tap this button to select a new sound mode. Hold it down to access the alternate knob functions (listed in parentheses).
USB PORT
Every Neo Series pedal features a USB port for MIDI control and firmware updates.
Six delay modes
Four presets, expandable to 16 with a MIDI controller
MultiJack enables expression pedal, foot switch, or MIDI input
Neo Morph allows controlling all knobs from expression or MIDI
Tap Tempo with quarter, dotted eighth, eighth note divisions
Hold Option switch to cycle delay subdivisions or trigger Neo Morph
USB port for firmware updates and USB MIDI
Mono input
Dual output (mix signal on tip, dry signal on ring)
Input Impedance: 1M ohms
Output Impedance: 560 ohms
DC 9V only, 100mA or greater
Requires isolated DC power supply
4.7” x 2.6” x 1.5” H x W x D not including knobs
User Manual and firmware are available here.
[:en]Alexander Pedals Radical Delay DX
We released the first Radical Delay pedal way back in 2015 as an homage to the tones and aesthetic of the 1980s. We were shooting for video games, neon nights, and maybe a hint of ALF.
It’s now 2019, and according to conventional wisdom we should be fighting with replicants in the streets and competing in futuristic running-based game shows.
Since that stuff hasn’t quite happened yet, we thought it might be time to update the Radical Delay to our Neo Series platform and give it a bit of a makeover at the same time.
Inside you’ll find the same great delay and special effects that made the earlier Radical Delay pedals so fun, plus a few new twists. Outside, we’ve added some teal and chrome, and intensified the laser grid for your enjoyment.
Radical Delay DX features six delay modes, all of which are adjustable to play from 24kHz down to 1.6kHz bandwidth using the CLOCK knob.
The maximum delay time varies by mode and clock rate, but it varies from 680ms to over 5000ms. Yep, that’s over 5 seconds of delay time, but it sounds terrible. It’s gross. Don’t say we didn’t warn you.
DELAY MODES:
MOD Digital delay with modulation. Tweak controls the mod depth and ALT controls the mod rate.
BEND Pitch shifted delay. Tweak selects the interval (-12, -7, -2, -1, detune, +1, +2, +3, +4, +5, +7, +12) and ALT puts the shift before or after the delay.
DUAL Dual-tap delay line. Tweak controls the delay time for the second tap and ALT controls its feedback.
REV YALED ESREVER. Tweak warps the delay from forward to reverse, with “tape stop” sounds available in between. ALT mixes between the main reverse delay and a forward delay. Just want reverse? Set Mix, ALT, and Tweak to maximum.
ARP Chiptune arpeggiator delay. Tweak controls the speed of the arpeggiation and ALT selects from 8 scale options.
DYNA Dynamic delay. The delay time sweeps with your picking attack. Tweak controls the sweep amount and direction, and ALT sets the volume sensitivity. Be careful with short delay times - that’s where the laser birds live.
PRESETS
Four built-in presets give you quadruple the tones in a single footprint. Add a MIDI controller for 16 presets.
NEO MORPH
Seamlessly morph between different knob settings on the fly using the Option footswitch, expression pedal, Neo Footswitch, or MIDI controller.
MULTIJACK
Connect an expression pedal, Neo Footswitch, or MIDI controller to this jack to add performance control to your pedal.
OPTION FOOTSWITCH
Tap the left footswitch for tap tempo. Hold the left footswitch for Tap Tempo Subdivision or Ramp Morph.
AUTO TRAILS
Set the pedal trails from 0-10 seconds. The pedal will automatically perform a smooth fade at your chosen time.
CLOCK KNOB
Adjusts the operating frequency of the DSP in real-time. Turn this up for pristine digital delay, down for glitched-out garbage.
MIDI CONTROL
Every knob and setting on the pedal is controllable using MIDI. Connect using the MultiJack and our Neo Link or directly to any Disaster Area Gen3 controller.
SELECT BUTTON
Tap this button to select a new sound mode. Hold it down to access the alternate knob functions (listed in parentheses).
USB PORT
Every Neo Series pedal features a USB port for MIDI control and firmware updates.
Six delay modes
Four presets, expandable to 16 with a MIDI controller
MultiJack enables expression pedal, foot switch, or MIDI input
Neo Morph allows controlling all knobs from expression or MIDI
Tap Tempo with quarter, dotted eighth, eighth note divisions
Hold Option switch to cycle delay subdivisions or trigger Neo Morph
USB port for firmware updates and USB MIDI
Mono input
Dual output (mix signal on tip, dry signal on ring)
Input Impedance: 1M ohms
Output Impedance: 560 ohms
DC 9V only, 100mA or greater
Requires isolated DC power supply
4.7” x 2.6” x 1.5” H x W x D not including knobs
User Manual and firmware are available here.
[:]
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[description] => Drybell Unit67
The Unit67 is a compact and fully analog device that has a highly versatile EQ set including a „Rangemaster-like“ mid control, a boost and an 1176 type of compressor – all in one extremely practical guitar pedal.
When we started working on this pedal, we wanted to be as unique as possible in today’s pedal world and that was no easy task.
Imagine getting THAT sound you have in your head from just one pedal. You know that playing feel when you play through a loud or overdriven amp, when every note comes out easily and you can play effortlessly? Well, that’s what the Unit67 is all about, only you don’t have to play LOUD or with an overdriven sound to get there.
It doesn’t matter what your playing style is, how loud you want to play or whether you use any other pedals in your signal chain. The Unit67 is a versatile multi-functional tool which will improve almost every tone to the next, harmonically rich level. Unit67 gives you an exciting new playing feel and response which you’ll immediately love.
Connected in between your guitar and amp, the Unit67 becomes an extremely powerful and handy tone shaping tool. It’s also very versatile in terms of pedalboard position, you can place it anywhere you like it and it will work its magic 
1176 type of compressor,
EQ set with the Range (Master) mid control AND High output Boost
Based on a clean (and semi-clean, read more) boost, which is the foundation for many guitar setups, we’ve implemented a very carefully tuned combination of fully analog features in the Unit67, useful to a wide range of musicians and playing styles. Also, our goal was to make it the simplest and most practical for the user.
A boosted sound in itself is great, but you can get much more of it. Sustaining notes are often a big helping hand to guitar players, so we decided to implement the next great feature of the pedal: a Compressor.
After serious development and inspired by the unique sound and feel of the 1176’s design, we’ve created our very own low noise compressor circuit for this pedal. It is transparent and it has a parallel compression circuit (blend), so you can add a right amount of sustain while retaining pick dynamics with just one simple knob (Sustain). Yes, you have DryBell’s take on the mighty 1176’s engine in this small box!
You can find more about how we developed Unit67’s 1176-like compressor feature HERE!
Of course, that was not the end of the Unit67’s journey. We’ve implemented additional controllability: an EQ set that consists of low and high controls and also a very specific sounding “Range” control.
The Range (Master) control will help you cut through the mix and will enrich your tone with the glorious sparkle often associated with the old classic Rangemaster. In situations when you’re using darker toned amps or guitar pickups, “The Range” will always add a harmonically rich sparkle to your tone.
Combined with a touch of sustain and boosted just enough to give you THAT tone, “The Range” will give some serious bite to your sound which is another way to push you through the mix while playing lead.
Unit67 is a sublime combination of several effects working in perfect synergy!
The main idea behind it came from experienced minds in two different fields: Zvonch, the DryBell founder and an expert electronics engineer, and Kruno, DryBell team member and professional guitarist with many years of live and studio playing time. We’ve combined the best of both worlds and after thousands of working hours with the rest of our team to make this design perfect, we’ve created something very special for you to enjoy.
From the very beginning of the Unit67, starting with the first breadboard prototype, we were simultaneously developing and rigorously testing it with a ton of different amps, pedals and guitars and no matter what setup was used, it benefited from the magical touch of the Unit67.
Besides that, the learning time to get comfortable with Unit67 is virtually non-existent and within a few seconds of playing, you’ll find instant satisfaction.
With all that being said, it has been a challenging but fun two year journey for us and now it’s up to you to try the Unit67 for yourself. Prepare to be amazed!
A gift for you!
Within each Unit67 box purchased directly from DryBell, you will find a nice gift for you – a handmade leather DryBell keychain pick-holder!
[short_description] => The Unit67 is a compact and fully analog device that has a highly versatile EQ set including a „Rangemaster-like“ mid control, a boost and an 1176 type of compressor – all in one extremely practical guitar pedal.
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[description] => GFI System Cabzeus Mono
Cabzeus MONO is a compact yet powerful speaker simulator + DI.Box pedal. It was developed as a single channel version of its stereo big brother, Cabzeus. Cabzeus Mono offers 12 Speaker algorithms modeled after the real-life counterparts, each algorithms has 4 variations (speaker size and cabinet type), for a total of 48 sounds to select from.
Simple yet effective user interface lets you browse through the algorithm library and user presets with ease. The speaker simulation may be bypassed allowing you to use Cabzeus Mono as a straight forward DI Box.
Headphone Out
A headphone out with a dedicated volume control allows you to have a silent practicing session in the middle of the night. And to make your headphone listening experience more satisfying, despite only mono signal is available, we added a capability to insert an adjustable amount of short delay on the Right channel audio to widen the perceived stereo field.
Integrated DI Box
You can connect a wide range of input sources, ranging from your favorite stompboxes, preamps, your head amp's speaker out, to any music player (see Application Ideas). Its stereo balanced outputs are capable of driving long cables straight to mixing console or FOH speakers. These outputs are tolerant to phantom power, they will not be damaged by accidental application of phantom power.
Key Features :
- Compact Speaker / Cabinet simulator + DI Box.
- Ports : Input, Thru, Outputs (balanced - XLR)
- 2 Presets.
- Input Pads : 0dB (unity), -20dB or -30dB.
- Mic Position control.
- Stereo headphone out with volume control.
- Internal charge pump circuitry boosts 9V supply voltage to 18V for extended headroom.
Specifications :
- Input impedance : 1 MOhm.
- Output impedance : 300 Ohm.
- Sampling rate : 48 KHz.
- DAC / ADC resolution : 24 bits.
- Current consumption : ~120 mA.
- Weight : 0.45 Kg (0.9 lbs).
- Dimension : 7.5 (L) x 9 (W) x 5.5 (H) cm
- Power source requirement : 9VDC (negative center).
[short_description] => Cabzeus MONO is a compact yet powerful speaker simulator + DI.Box pedal. It was developed as a single channel version of its stereo big brother, Cabzeus.
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[description] => [:fr]Free The Tone Future Factory FF-1Y
Yukihiro Hayashi n'en est pas à son premier delay. Le temps passe et il arrive même à les bonifier années après années. Les fans de Delay se souviennent sûrement du Providence Delay 80 qui est devenu une référence au Japon il y a de cela quasiment 15 ans. Yukihiro Hayashi avait alors conçu un delay dans la veine des meilleurs delays en rack des 80's, capable de concurrencer des références du genre, comme le delay Pete Cornish et d'autres... Après avoir développé il y a quelque temps, le Flight Time, superbe machine dédier au TC2290 (avec beaucoup plus de puissance que celui-ci); il nous revient avec le Future Factory, un delay digital totalement unique. Bénéficiant d'une modulation et d'une image stéréo totalement hors-norme. Vous êtes prêts? C'est parti!
Comme toujours, vu de l'extérieur, la pédale est extrêmement soignée. Boitier ajusté au millième de millimètre, aluminium anodisé ultra léger et de grande qualité, finition parfaite... c'est du Free The Tone. Le travail à l'intérieur est tout aussi "parfait", PCB de grande qualité, composants sélectionnés, bien loin des standards de beaucoup d'autres marques plus ou moins haut de gamme. Huit ans ont passé depuis la création de la marque, et à notre niveau, on peut vous dire que Free The Tone reste une des références absolues sur le marché, en terme de conception, qualité de fabrication et musicalité. Les japonais savent faire et ils le prouvent encore une fois avec ce superbe delay.
L'interface reprend les tres grandes lignes de la Flight Time. Cela peut faire peur la première fois qu'on se penche dessus, mais c'est en fait très très simple et intuitif d'utilisation. Beaucoup plus que des cascades de menus déroulants.
Au programme du Future Factory? un dual delay digital d'un nouveau genre. En effet, le DD-1Y est un delay Stéréo (qui peut bien entendu s'utiliser en Mono) doté de deux lignes de delay totalement distinctes, nommées A et B. Sur chacune des deux lignes, vous pouvez assigner l'intégralité des fonctions de la pédale. Différent tempo, différent retards, différente modulation, différent EQ etc... C'est vraiment l'équivalent de 2 delays en un, avec la possibilité d'être routés en série ou en parallèle, ou bien avec un bypass pour l'un ou l'autre. S'ajoute à cela, les fonctions midi, les filtres, le killdry et tout ce dont vous avez besoin pour jouer aux maximum ce delay d premier ordre.
Guitare en main, sur deux bases clean en configuration stéréo... Comment vous dire? C'est un véritable mur qui se dresse devant vous. La première chose qui vous frappe, c'est l'énorme spacialisation que génère ce delay. Il y a une sorte de profondeur 3D unique avec une magnifique modulation qui vient renforcer encore un peu plus ce sentiment d'extra-profondeur et densité. Chaque note delay-ifiée bénéficie de cette signature qui permet réellement de créer un paysage sonore à part entière. Comme toujours chez la marque, les modulations, EQs et filtres divers sont d'une musicalité hors-norme. Ces fonctions sont clairement devenues une des spécialités de la marque avec le savoir faire acquis en produisant les excellents Tri-Avatar et le Prog EQ. La partie modulation, parlons en, car c'est elle qui fait globalement toute la différence. En effet, en jouant sur la phase du signal qui change de manière aléatoire à partir d'un certain niveau, le FF-1Y permet de créer un effet très spécifique qui génère cette profondeur unique avec une image très large. Imaginée, vos lignes de delay qui se balayent de droite à gauche avec différentes profondeurs, densités, modulation, vitesse... C'est tout simple le rêve de tous les fans de gros delay à la Lukather, Landau, LA Sound et autres... Et de tous ceux qui recherchent une solide base pour générer de l'ambiant et autres très grosses nappes d'effets, que le FF-1Y mettra en valeur.
En conclusion, si vous êtes à la recherche d'un delay multi lignes extrêmement pur, avec une très large diffusion, en bref, un delay qui en impose, le Future Factory FF-1Y est fait pour vous! Soyons clair, tous les fans de gros delays en rack sauteront sur cette nouvelle petite merveille japonaise qui va sérieusement bousculer les marques concurrentes![:en]Free The Tone Future Factory FF-1Y
“Creation of a new sound” ― this was the motto for the development of FREE THE TONE “FUTURE FACTORY” FF-1Y. Many digital delay units that implement a modulation function have been introduced to date. In general, the phase of a low frequency oscillator (LFO) used in these modulation circuits changes regularly at a preset cycle. However in our “FUTURE FACTORY,” we succeeded in creating a new modulation sound with a unique method in which signal’s phase changes at random when the signal crosses a certain attenuation level. This creates an unprecedented effect in which a fluctuating spacious sound seems to float in the air. (This function works best when used in Stereo mode.)
The FF-1Y has a dedicated 3-band equalizer for delay sound. Tonal adjustments of delay sound are indispensable for handling various musical phrases. This 3-band EQ can select a frequency to match the instrument to be used. This is a useful feature for guitarists and bassists, as well as saxophonists, violinists, DJ’s, or keyboardists.
For the users who will mainly use this unit in Monaural mode, we added a soft clipping circuit to one channel of the delay. By distorting the delay sound and adding it to the dry sound you can create an unprecedented, musical sound. The delay sound’s bandwidth is narrowed but harmonic overtones are added. This enables the creation of a sound similar to that made by vintage devices.
The “FUTURE FACTORY” incorporates two delay modules that can be used as a stereo delay or easily used in Monaural mode by connecting them in series.
This unparalleled delay effect unit “FUTURE FACTORY” FF-1Y is the fruit of FREE THE TONE’s continuous pursuit of sound quality and new functionality, and the culmination of our latest creative endeavors. This delay unit will surely stimulate your imagination and inspire you to create new and original sounds.
Free shipping to France from 150 Euros
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