Les pédales Spaceman Effects sont la meilleure illustration de l’adjectif « boutique ». Ici, toutes les pédales sont en séries limitées, fabriquées avec des composants (très) haut de gamme, et possèdent des finitions exemplaires. Le son est plus qu’à la hauteur du reste, faisant de Spaceman une marque unique et rare que nous sommes fier de vous proposer.
Avec plus de huit modèles de Big Muff différents, considérés par beaucoup (dont nous) comme les meilleures recréations de ce circuit légendaire, on imagine bien la passion de la marque pour les pédales de Fuzz. D’autres circuits mythiques (Fuzz Face, Tonebender) ou 100% originaux sont aussi proposés par les californiens de Wren and Cuff.
Le succès et la notoriété grandissante des amplis de Tim Marcus, alias Milkman, n’a rien d’un hasard. Inspirés de circuits classiques, les amplis Milkman possèdent leur propre caractère et bénéficient d’une fabrication sans compromis. Allant de 5W à 85W, il y a un Milkman pour toutes les situations.
Bien souvent les guitares axés « gros son » ont un look kitch et/ou caricatural ainsi qu’un son aseptisé. Dunable Guitars casse tous les codes avec des guitares sublimes pour un son chaud et précis. Légères et très agréables à jouer, les guitares Dunable sont capable d’aller du Stoner le plus lourd au Metal le plus extrême en passant par tous les styles aux sonorités puissantes.
The Afterneath sounds a lot like it looks – a wizard bursting forth from ethereal cave and ready for the ambient battle. You are the wizard – or sorceress, if you prefer – and the cave is your instrument’s signal, vast, expansive, and magical. Do you go inside? Roll a D20 to proceed!
Once inside, a reflection of light from an unknown source catches your eye, and you notice a bizarre sheen on the walls of the cave. You timidly inch closer to the walls of the cave. Placing your hand gently on the cavern wall, you feel the rock move. The cave is alive! Alarmed, you emit a loud gasp, which reverberates throughout the subterranean landscape. Upon further listening, it appears as though the reverberations of your voice are in fact a swarm of short digital delays which may be used to create wild and cavernous reverbs, or scattered, short, rhythmic delays with bizarre characteristics.
Take a moment to consider your Intelligence and Wisdom scores, as well as your spell inventory before proceeding further. You have seven spells at your disposal…
Will you cast “Length,” which controls the decay length of the reverb?
What about “Diffuse,” which adjusts the spread of the reverb? With your wand (or just the knob) turned counterclockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding hex.
Overwhelmed by fear, you hastily cast “Dampen!” As you shout the incantation, you notice that a counterclockwise variation of this spell results in brighter tones, while as you rotate your wand clockwise; you hear darker tones with a mellower top-end. It’s almost as if your magic changes the hardness of the cavern walls, and thus the tonal characteristics of the reverb!
Elsewhere in your book of magic is “Drag,” which separates the individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return. Clockwise “Drag” positions will gather the delay lines close together for a more reverb-like effect. Turn the “Drag” counterclockwise, and the delay lines will begin to pull apart for a scattered ping-pong delay effect.
The Drag can be put under voltage or expression control using the “EXP” jack located on the side and operates in 9 different modes which are selected by the small “Mode” control. These modes are: Unquantized, Unquantized with slew, Unquantized volt/octave,
Chromatic scale, Major scale, Minor scale, Pentatonic scale, Octaves & fifths and Octaves. These modes drastically change the way the Drag control functions, especially while using an expression control or CV.
The “Reflect” alters the depth of the cave, and with it the regeneration of the reverb. This acts as a feedback control and will self-oscillate if cast by a high-level user. Turn clockwise for more wash and echoes, counterclockwise for less.
Finally, the “Mix” alters the alchemical balance between the input signal and the effect. The Afterneath does not go fully wet but does lower the level of the input signal as you raise this control to create the appearance of a fully wet reverb.
Modes
The Modes control changes the way the Drag control functions. The LED will change colors indicating which mode you are in.
1. Unquantized: Smooth, unquantized response over the operating range
2. Unquantized with Slew: Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. The “Drag” will lag behind the knob or cv changes, but then quickly catch up.
3. Unquantized Volt/Octave: Smooth and unquantized, yet scaled to align with the 1v/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage controlled oscillator.
4. Chromatic Scale: Quantized 1v/octave to the chromatic scale
5. Minor Scale: Quantized 1v/octave to the minor scale
6. Major Scale (Lydian): Quantized 1v/octave to the major scale (Lydian)
7. Pentatonic Scale: Quantized 1v/octave to the pentatonic scale
8. Octaves & Fifths: Quantized 1v/octave to omit all but octaves and fifths
9. Octaves: Quantized 1v/octave to omit all but octaves
Tech Specs
Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 100 mA
Input Impedance: 1 MΩ
Output Impedance: 500 Ω
Expression Jack
This is an expression pedal control jack for the Drag. The Afterneath requires an expression pedal with a value of 50k, we recommend the Moog EP-3 or similar. While it will work with a standard 10k expression pedal, a 50k expression pedal will allow you to access the full range of each mode.
Tip is the wiper, Ring is 5v and Sleeve is ground.
You can also use CV with this jack. CV operates 0-5v.
Flexi-Switch® Technology
This device features Flexi-Switch Technology! This electronic switching style allows you to simultaneously use momentary and latching style switching.
For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.
For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch, the effect will be bypassed.
The Afterneath uses electronic buffered bypass, it requires power to pass signal and the buffer is always active. You may experience a pop the first time the Afterneath is switched on after power up.
Tails / No Tails Switching
The Afterneath is factory set in “tails mode.” This means that the wet signal will naturally decay and slowly fade to silence after the effect is switched off.
To deactivate this feature:
Unplug the power cable from the power jack.
Hold down the footswitch and insert the power cable.
The LED will flash 3 times. You can now release the footswitch.
Follow the same steps to reactive tails mode.
Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!
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[description] => [:fr]Fairfield Circuitry The Barbershop
Represent the new millenia with this brand new take on our coveted Barbershop.
Have you ever sat in a barber's chair wishing your tone was as slick as your freshly shaved upper lip? With the Barbershop Overdrive on your pedalboard, you could keep your moustache and sound good doing it.
Less is more with this simple, original design. Handmade from JFETs matched to specs, this versatile pedal will treat your pickups with the respect they deserve. In return, they’ll thank you with some of them sweet tones.
Specifications
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[description] => [:fr]Fairfield Circuitry The Unpleasant Surprise
Reminisce about the time you got your shoulder caught in the reciprocating saw while this unit destroys your slick jazz lines.
The fruit of an oddball circuit, hanging there awkwardly by some parasitic effect. Tweaked, bended and shoe-horned to optimize it's stench, it's unpleasance. Time has come to turn all dynamics to shit. Strangely, it feels very natural.
Specifications[:en]Fairfield Circuitry The Unpleasant Surprise
Reminisce about the time you got your shoulder caught in the reciprocating saw while this unit destroys your slick jazz lines.
The fruit of an oddball circuit, hanging there awkwardly by some parasitic effect. Tweaked, bended and shoe-horned to optimize it's stench, it's unpleasance. Time has come to turn all dynamics to shit. Strangely, it feels very natural.
Specifications
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[description] => [:fr]Fairfield Circuitry The Accountant
Every operation needs an accountant, and your signal chain is no exception. This little guy will fit right in, no questions asked. Call upon his services to crunch numbers, cook your books and calculate ratios in all confidence that your shit will remain tight.
We’re talking about a mostly utilitarian relationship here, but one of trust as well. Whether you enjoy slight, nuanced dynamics control or you just want to squeeze your signal into one dimension, you'll find a use for The Accountant.
Featuring all analogue, JFET feedback compression, The Accountant works well with all signal sources; guitars, bass, vocals, synths, even whole mixes. A simple control interface allows you to change the threshold, compression ratio and makeup gain.
Specifications
[:en]Fairfield Circuitry The Accountant
Every operation needs an accountant, and your signal chain is no exception. This little guy will fit right in, no questions asked. Call upon his services to crunch numbers, cook your books and calculate ratios in all confidence that your shit will remain tight.
We’re talking about a mostly utilitarian relationship here, but one of trust as well. Whether you enjoy slight, nuanced dynamics control or you just want to squeeze your signal into one dimension, you'll find a use for The Accountant.
Featuring all analogue, JFET feedback compression, The Accountant works well with all signal sources; guitars, bass, vocals, synths, even whole mixes. A simple control interface allows you to change the threshold, compression ratio and makeup gain.
Specifications[:]
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[description] => [:fr]Fairfield Circuitry Modèle B
For everyone out there who nevers turns off their Barbershop, this is for you. The same circuit in a tiny box, no bypass switch, no light. You can select between two tone options via a jumper inside the pedal:
flat and wide, like the original Barbershop, like the middle tone position of the Millenium Edition
light, high frequency cut, like the right tone position of the Millenium Edition
Always on, never off, this is serious.
[:en]Fairfield Circuitry Modèle B
For everyone out there who nevers turns off their Barbershop, this is for you. The same circuit in a tiny box, no bypass switch, no light. You can select between two tone options via a jumper inside the pedal:
flat and wide, like the original Barbershop, like the middle tone position of the Millenium Edition
light, high frequency cut, like the right tone position of the Millenium Edition
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[description] => Alexander Pedals Magnolia Vintage Overdrive
Sweeter than summer sweat on a hot August night, Magnolia is your smooth and sultry companion. Featuring a fully adjustable tone stack and two selectable drive modes, it's as comfortable as your favorite jeans. Step on it and get back to what matters - the music.
Controls:
Level: Controls the output level of the pedal.
Drive: Adjusts the gain and distortion of the pedal.
Toggle: Selects two different clipping and compression modes. Up for louder and more open, down for more compression and dirt.
Treble / Middle / Bass: Passive three-band tone stack, voiced like a vintage American amplifier.
Power Supply:
Magnolia requires a DC power supply with a 2.1mm pin, center negative. Magnolia will operate on power supply voltages up to 18V and does not use a battery. Magnolia should work fine on a multi-pedal "daisy chain" connector, but if you encounter excessive noise or hum try a separate power supply.
It was the best of times, it was the worst of times. Back in the go-go ‘90s, a band of mad scientists emerged from a lab in the wilds of Iowa with a strange pedal that altered the very fabric of time and space. This pedal found its way into the hearts and minds of a select few - the dreamers and the music makers, the wild and free.
But those pedals weren’t made to last. As the years have passed, their fragile circuitry has begun to fail, until one day they will be only a memory. Wise grandfathers will tell the children tales of the strange black pedal from the west, and that will be the end of the story.
Or will it?
Alexander Pedals designer Matthew Farrow decided to recreate the magic using modern DSP technology and high-quality construction techniques. All the strange sounds of the original lurk within the Super Neo-Matic, along with some fun new surprises. The original pedals may be slowly fading, but your journey has just begun.
PRESETS
Four built-in presets give you quadruple the tones in a single footprint. Add a MIDI controller for 16 presets.
NEO MORPH
Seamlessly morph between different knob settings on the fly using the Option footswitch, expression pedal, Neo Footswitch, or MIDI controller.
MULTIJACK
Connect an expression pedal, Neo Footswitch, or MIDI controller to this jack to add performance control to your pedal.
RAMP FOOTSWITCH
Tap the left footswitch to trigger and latch Neo Morph, or hold it for a momentary Morph effect.
SELECT BUTTON
Tap this button to select a new sound mode. Hold it down to access the alternate knob functions (listed in parentheses).
USB PORT
Every Neo Series pedal features a USB port for MIDI control and firmware updates.
MIDI CONTROL
Every knob and setting on the pedal is controllable using MIDI. Connect using the MultiJack and our Neo Link or directly to any Disaster Area Gen3 controller.
The Super Neo-Matic has two modulation types (Triangle and Random) as well as two sound modes (Vintage and Modern.)
In Triangle mode, the time delay is controlled by a wide-ranging triangle wave oscillator for traditional chorus, vibrato, and flanging textures.
Random mode controls the time delay matrix using a randomly-changing voltage, so that the signal shifts between various tones unpredictably. It’s the cure for the common chorus.
Both modulation types are available in two sound variations: Vintage uses the same 8-bit sampling as the original, while Modern runs a full 24-bit audio path. The difference in bit rate is more apparent when playing quietly. All sound modes also allow “parking” the modulation and using the pedal as an audio delay. Sweep the delay with an expression pedal or the Ramp footswitch for dramatic time warps!
Once you’ve dialed in your favorite sound settings, you can save them to one of the Super Neo-Matic’s four preset slots. Connect the pedal to a MIDI controller or your computer for access to the full complement of sixteen presets!
Two audio modes - vintage and modern
Four presets, expandable to 16 with a MIDI controller
MultiJack enables expression pedal, foot switch, or MIDI input
Neo Morph allows controlling all knobs from expression or MIDI
Ramp footswitch triggers Neo Morph settings
Vintage and Modern modes for selectable audio quality
USB port for firmware updates and USB MIDI
Mono input
Dual output (mix signal on tip, dry signal on ring)
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[description] => [:fr]Cooper FX Arcades
Arcades can be any type of pedal you want. It is a versatile multi effect platform, but what makes it unique is that it determines what type of effect it is based on the card that is inserted into the pedal. Much like certain retro video game consoles, the Arcades will allow the user to swap cards to select the experience they want. Instead of a video game however, the change of a card will result in a different bank of eight effects.
There are two available options: The ambient pack, which includes delay and reverb cards, and the experimental pack, which includes lofi and pitch shifting cards. Details in the linked PDF below.
Delay/Reverb ComboLofi/Pitch Combo
There seems to be a lot of questions about this release in regards to cards and their availability. The coronavirus pandemic has affected production plant, which happens to be located in Wuhan China. As a result I had to limit the number of cards available to two per customer. There will be more cards available, and I am working on four new cards including granular, reverse delays, generation loss, and synth cards. Once production is back in full swing these will be available. All cards listed above and all future cards will be compatible with the Arcades pedal.[:en]Cooper FX Arcades
Arcades can be any type of pedal you want. It is a versatile multi effect platform, but what makes it unique is that it determines what type of effect it is based on the card that is inserted into the pedal. Much like certain retro video game consoles, the Arcades will allow the user to swap cards to select the experience they want. Instead of a video game however, the change of a card will result in a different bank of eight effects.
There are two available options: The ambient pack, which includes delay and reverb cards, and the experimental pack, which includes lofi and pitch shifting cards. Details in the linked PDF below.
Delay/Reverb ComboLofi/Pitch Combo
There seems to be a lot of questions about this release in regards to cards and their availability. The coronavirus pandemic has affected production plant, which happens to be located in Wuhan China. As a result I had to limit the number of cards available to two per customer. There will be more cards available, and I am working on four new cards including granular, reverse delays, generation loss, and synth cards. Once production is back in full swing these will be available. All cards listed above and all future cards will be compatible with the Arcades pedal.
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